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Featured Profiles

Ondi Timoner

Ondi Timoner

I wanted to shoot a documentary like a narrative. When I shot “DIG!,” no other documentary had been shot like a film and I think that’s the reason there was no mass audience for documentaries. People looked at documentaries as though they were history lessons or like eating spinach — they’re too good for you to be really entertaining. I thought that if I can shoot life as it’s unfolding, and recreate the serendipity, people will realize it’s way more entertaining.
Paul Perrier

Paul Perrier

The film cost me about $45 to make 90 percent of it. It was one hour, it was one tape, down the street from me. [But] when I looked at it, I went "Whoa."
Matthew Ogens

Matthew Ogens

He didn't love it. He really didn't like it and we had a little bit of a falling out. First he said the stuff about the mafia, then said we could not air certain parts because the mafia would come after us, and then we had a falling out and he felt that I edited the film to portray him a certain way. But if you watch the film, I can't put words in his mouth. The words clearly came out of his mouth; I can't edit that in. there's no way.
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