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In 1998 Lee Geun Hyuk left the city, along with his wife and infant daughter, for Korea's South Chungcheong Province to begin a new life in farming. Lee harbored no romantic illusions about becoming a farmer, since he had been born and raised in a farming family, but he believed strongly in the importance of traditional agriculture and in the urgent need to organize a farmers' movement to protest new government policies.
To produce BACK TO THE SOIL, documentary filmmaker Kwon spent a year living with and filming the Lee family, chronicling with remarkable intimacy their numerous difficulties-such as harvesting on a trial-and-error basis, Lee's role in leading militant rallies against the expansion of the Free Trade Agreement, and the emotional impact of their young daughter's heart operation.
BACK TO THE SOIL thus functions as both an emotionally engaging portrait of the young couple's challenges in starting a new life as well as a revealing depiction of a rapidly changing agricultural system that threatens to destroy traditional farming methods. On a more personal level, the film shows how Lee's fight for his beliefs creates tensions between him and older, more apathetic farmers in the community, and how his newfound political militancy creates emotional strains between him and his wife.
In portraying the impact of the Korean government's new policies that abandon small national farmers in favor of a globalized agrobusiness, flooding the market with cheap imported rice and other foods, a trend against which Lee is valiantly striving to sustain and revitalize traditional farming, BACK TO THE SOIL dramatizes a situation facing small farmers not only in Korea but also throughout the world.
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